Like A Toothbrush, It Does the Job – Don McCullin

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Sir Don McCullin – Homeless Irishman Near Spitalfields, 1969

Sir Don McCullin was the marquee name at the 2016 edition of PhotoLondon. (He wasn’t  knighted, as a matter of fact until the New Year Honours list of that same year, a few months later.)  I was asked to write various texts in that connection, including the words to go on wall panels for a very fine one-man exhibition that Hamilton’s – his gallery for many years –  put on in his honour.  I wrote two more general pieces at that time, which I reproduce here in advance of his retrospective show opening at Tate Britain in 2019, which will once again put his name in the headlines. That will run 5 February – 6 May 2019. Continue reading

Curators on Skates

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View of the V&A by Bolas & Co., c.1909, V&A E.1128-1989

It’s not often, in the cash-starved world of UK photographic institutions, that there is major good news to celebrate. But yesterday the V&A announced ambitious and yet wholly realistic plans to expand its photographic activities in a range of impressive ways. Continue reading

Full of Mind

“Of Mr.Rejlander’s pictures (for such we may justly call them), we have no hesitation in saying that they are full of beauty and full of mind.”

Anonymous reviewer in the Art Journal for 1868

 

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Oscar Gustav Rejlander

The National Portrait Gallery in London has recently acquired these very different pictures from an album of the mid-1860s (holding both well-known and unknown studies) by Oscar Gustav Rejlander after a successful export block. Continue reading

Pinch & Swipe

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From the series Battlefields, by Jos Jansen

A number of themes absolutely central to photography meet in this wonderful series of pictures by the artist Jos Jansen. He calls them Battlefields. As often enough, I come to them late. They were published in an award-winning book in September 2015. Continue reading

The Sort of Thing They Like

 

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Nigel Shafran, from Visitor Figures. Not selected for the V&A’s Annual Review

 

“For those who like that sort of thing,” said Miss Brodie in her best Edinburgh voice, “That is the sort of thing they like.”
― Muriel Spark, The Prime of Miss Jean Brodie

 

I have recently been writing quite a lot about how we could possibly set standards by which to judge photographs. It is not just a recent preoccupation; it’s one I’ve been gnawing away at for a long time. Put very simply, I recognize the absurdity of applying any one family of criteria to all photographs (and the arrogance of any one person setting themselves up to do that). But do we really have so little common ground in judging them, torn between all the hundreds of different criteria that could apply, that we have to make a profound revelation of ourselves as users of pictures before we can make even a moderate assessment of the pictures themselves ? Continue reading

Luke 16:1 – 16:2

There was a certain rich man, which had a steward; and the same was accused unto him that he had wasted his goods.

And he called him, and said unto him, How is it that I hear this of thee? give an account of thy stewardship; for thou mayest be no longer steward.

Luke 16:1 – 16-2

 

I published last month a short article in The Conversation [ http://bit.ly/1RdmhpD ] on the breaking up of the holdings of the National Media Museum. Here, with the kind permission of the editors of The Conversation, is the longer version of that article. Continue reading

Who Speaks for Photography?

If a museum needs to campaign against the cuts, or a change is mooted in the curriculum for ‘A’ Level study, or a failure in intellectual property law cries out for lobbying in Parliament – who speaks for photography? Continue reading

Making It Up Is So Very Hard To Do

[Some thoughts on the show Making It Up: Photographic Fictions.] Continue reading

30 and Out? The National Media Museum Under Threat

Work in Progress at the Media Space in London.  The Media Space was planned to improve the visibility of one of the great photographic collections in the world.  Photographed by Kate Elliott

Work in Progress at the Media Space in London. The Media Space was planned to improve the visibility of one of the great photographic collections in the world.
Photographed by Kate Elliott

There is now no effective state policy for the provision of the culture of photography to the nation. Continue reading

Robert Brownjohn’s Street Level Series

Robert Brownjohn.  From the Street Level series, 1961.Victoria & Albert Museum

Robert Brownjohn. From the Street Level series, 1961.
Victoria & Albert Museum

One of the pleasing things about being interested in photographs is that it is really perfectly OK to admit to not knowing even important groups of pictures. In a narrower specialism, say in craft pottery or in modern literary fiction or in contemporary dance, it’s embarrassing to miss first-rate stuff.  In photography you can even turn the whole argument around:  far from being embarrassing to have missed something, it may be that to live only with those pictures that have good kudos in your particular neck of the photographic woods is to be limited, to lack curiosity and openness. Continue reading