If a museum needs to campaign against the cuts, or a change is mooted in the curriculum for ‘A’ Level study, or a failure in intellectual property law cries out for lobbying in Parliament – who speaks for photography? Continue reading
The way the Prix Découverte at Arles is set up is that a group of photography worthies are invited to select less-known artists for a solo exhibition promoted and visited within the context of the festival. The potential boost to the careers of those chosen is obvious. This year, in keeping with the theme of the Rencontres, centred around photographic education and one school in particular, the worthies were all distinguished teachers. It was disappointing that so many of their selections were of their own pupils or former pupils: it looked sleazy even when it wasn’t.
Nevertheless, five selectors managed to choose fifteen artists for exhibition. Continue reading
[Arles at a crossroads of sorts, with a choice between embracing contemporary art and its non-specialist interest in photography, or remaining sheltered in a traditionally photo-specialist but much less open world.] Continue reading