Like A Toothbrush, It Does the Job – Don McCullin

homeless irishman near spitalfields 1969

Sir Don McCullin – Homeless Irishman Near Spitalfields, 1969

Sir Don McCullin was the marquee name at the 2016 edition of PhotoLondon. (He wasn’t  knighted, as a matter of fact until the New Year Honours list of that same year, a few months later.)  I was asked to write various texts in that connection, including the words to go on wall panels for a very fine one-man exhibition that Hamilton’s – his gallery for many years –  put on in his honour.  I wrote two more general pieces at that time, which I reproduce here in advance of his retrospective show opening at Tate Britain in 2019, which will once again put his name in the headlines. That will run 5 February – 6 May 2019. Continue reading

The Sort of Thing They Like

 

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Nigel Shafran, from Visitor Figures. Not selected for the V&A’s Annual Review

 

“For those who like that sort of thing,” said Miss Brodie in her best Edinburgh voice, “That is the sort of thing they like.”
― Muriel Spark, The Prime of Miss Jean Brodie

 

I have recently been writing quite a lot about how we could possibly set standards by which to judge photographs. It is not just a recent preoccupation; it’s one I’ve been gnawing away at for a long time. Put very simply, I recognize the absurdity of applying any one family of criteria to all photographs (and the arrogance of any one person setting themselves up to do that). But do we really have so little common ground in judging them, torn between all the hundreds of different criteria that could apply, that we have to make a profound revelation of ourselves as users of pictures before we can make even a moderate assessment of the pictures themselves ? Continue reading

Paola De Pietri and the Effort of Memory

Fay Godwin, Markerstone on the old road from London to Harlech, 1976

Fay Godwin, Markerstone on the old road from London to Harlech, 1976

[Landscape and memory.] Continue reading