Caroline Fellowes.
Animal, Vegetable, Mineral 8. 2014
Caroline Fellowes.
Animal, Vegetable, Mineral 1. 2014
These extraordinary pictures are by Caroline Fellowes, an artist who lives in France but is represented by a gallery in Derry, in Northern Ireland. They are wonderful things, and I post them today because they happen to sit right in the middle of a number of conversations I seem to be having with increasingly frequency of late. Continue reading
If a museum needs to campaign against the cuts, or a change is mooted in the curriculum for ‘A’ Level study, or a failure in intellectual property law cries out for lobbying in Parliament – who speaks for photography? Continue reading
[Partly on the curious provincialism that still keeps photography divided into camps.] Continue reading
Open platforms were a civilizing influence, too
A little while ago I published here a little musing about the elegant human-scale double-ting that Paris buses make when in proximity with pedestrians. Today, the letter that I print below arrived, and I think it’s a delight. Continue reading
[Some thoughts on the show Making It Up: Photographic Fictions.] Continue reading
The RATP, the Paris public transport authority, has a long and glorious association with design. Continue reading
Victor Albert Prout.
Pangbourne, Before 1862.
Courtesy Hulton Archive.
A few months ago I had again the pleasure of spending a day at the Hulton archive in West London, the former Hulton Picture Library, long since a part of Getty Images. There I was introduced by Sarah McDonald, the curator of the archive, to a series, unfamiliar to me, of panoramic views of the Thames by Victor Albert Prout, a photographer I’d heard of but only barely. A single picture from the Thames series is reproduced in the first volume of Martin Parr and Gerry Badger’s the Photobook: A History[i], for example. I’d seen that and vaguely remembered having done so and it was easy to find again. But I liked the pictures in the Hulton Archive very much and kept them both in mind and on my iPhone. So I was pleased recently when the British Photographic History blog carried a small announcement that Joan Osmond, a direct descendant of Victor Prout, had produced a biographic volume[ii] which would shed more light on the little-known author of this fine series of pictures. Continue reading
Harry Cory Wright.
The Field, 2012.
The story is really very simple. You either get it or you don’t. Continue reading
Chamois, Prague, 1986
Copyright © by The Irving Penn Foundation
A number of weeks ago I was asked by Hamiltons Gallery in London to write a catalogue text on a group of pictures by Irving Penn which are less known than many, but seemed to have interesting characteristics of their own. I was glad to write it, as I find that the scholarship of Penn seems a little unchanging. I hoped that by treating these pictures exactly as though they were made today, and reacting to them as if they were a recent offering by an artist at his peak, I might bring a little freshness as well as appreciation. The catalogue is beautifully produced and is now out as the show has opened. Continue reading
Work in Progress at the Media Space in London. The Media Space was planned to improve the visibility of one of the great photographic collections in the world.
Photographed by Kate Elliott
There is now no effective state policy for the provision of the culture of photography to the nation. Continue reading
Francis Hodgson 