Padlock the Pump Handle : Clarence A. Bach and the Habits of Photojournalism

<b>Caption from LIFE.</b> "Three dead Americans on the beach at Buna."

“Three dead Americans on the beach at Buna.” A famous and an important picture by George Strock. Often cited as the first picture to show American dead after Pearl Harbor, it was taken either in late December 1942 or in early January 1943, but not published until September 1943, after LIFE had exercised considerable effort in overcoming censorship. In an editorial accompanying publication, LIFE described the three bodies on the beach (in New Guinea) as “three units of freedom”.

 

I was doing a little research (of the familiar Google-drifting kind) on something else when I came across a remarkable man of whom no British reader of these lines will ever have heard. So allow me to introduce you to Clarence A. Bach, founder and principal teacher of what seems to have been the first vocational course in photography in any American high school, the idiosyncratic — and wildly successful — course at John C. Fremont High School, Los Angeles. Continue reading

Who Says it’s Good?

Frank Brangwyn,  Preparatory study for the Skinners' Hall Murals, c.1905.

Frank Brangwyn, Preparatory study for the Skinners’ Hall Murals, c.1905.

In photography we have no or few shared standards. The camera club virtues (perfection in the craft skills of photography at the expense of any or every notion of expressiveness) are not by any means to be mapped to the virtues aimed at by the members of World Press Photo, artists working in photography, or professional wedding photographers.

It is not, in general, a very controversial thing to say that “we have standards”. It is not awkward to expect that some jobs are better finished than others.

Try to get a little more specific than that, though, and standards are fiercely difficult to apply. Continue reading

Ansel Adams in the Bath

[Partly on the curious provincialism that still keeps photography divided into camps.] Continue reading