The Cult of the Camera: Noel Pemberton Billing and the Compass

reglages

Compass Camera. Designed by Noel Pemberton Billing in England Made by LeCoultre &Cie in Switzerland

I have less of the fetishist enthusiasm in photography than many.  I own no dun-coloured waistcoat with thirty pockets, for example, and I find that I cannot concentrate through (let alone contribute to) even the first bars of any conversation about anti-aliasing filters. I’ve never been a photographer; I am disbarred from the whole freemasonry of gear.

Yet that fetishism exists.  Here’s a little gadget which I’d like to hold in my hands.  I’d like it on my mantel.  I might even put it in my pocket and rub it surreptitiously, like a worry stone or a rosary … Continue reading

Who Says it’s Good?

Frank Brangwyn,  Preparatory study for the Skinners' Hall Murals, c.1905.

Frank Brangwyn, Preparatory study for the Skinners’ Hall Murals, c.1905.

In photography we have no or few shared standards. The camera club virtues (perfection in the craft skills of photography at the expense of any or every notion of expressiveness) are not by any means to be mapped to the virtues aimed at by the members of World Press Photo, artists working in photography, or professional wedding photographers.

It is not, in general, a very controversial thing to say that “we have standards”. It is not awkward to expect that some jobs are better finished than others.

Try to get a little more specific than that, though, and standards are fiercely difficult to apply. Continue reading